Tag Archives: punk

STIFF LITTLE FINGERS THE AVENUE CHESTERFIELD 

A 2nd visit to Chesterfield this year to a new venue recently opened called The Avenue, previously a Rileys Snooker centre (so I was told). The first “proper ” concert i went to was The Tom Robinson Band back in 1978 they where supported by tonight’s band Stiff Little Fingers, billed as a 40th anniversary tour it was a first time ever in Chesterfield for the mighty SLF,the last time I saw them was maybe 5/6 years ago at the plug in Sheffield and overall I’ve seen them 6/7 times over the last 39 years (f**kin ell!) My first time at this venue and I was impressed, fairly wide stage so plenty of opportunities to stand near the front, a balcony looking down at the stage was quite crowded so you had options of which view you could have, huge downside was the bar, at least 10 deep with 4 people serving, 25 minutes before we got served so my mate and I got 2 pints each, maybe the fact that this was probably the first big band they had put on and never expected it to be this busy, so hopefully they get that sorted for this cracking venue.

Jake burns, Ali McMordie on bass, Ian McMallun on guitar and Steve Grantley on drums came bounding on stage and quickly straight into “breakout” minus his singing as it was so distorted “straw Dogs” followed and sound corrected and Mr burns could now be heard quite clearly, dressed in a polka dot shirt and looking rather portly I may add! “Fade away” followed and a quick breather as jake  introduced the next song “my dark places” what I like about jake burns is he always explains his songs, about the backgrounds to them and how he came to write them.

“Safe as houses” “nobody’s hero” “at the edge” followed next then a real oldie in “barbed wire love” and “roots ” then a newish (well this century ) “Strummerville” Jakes tribute to the legend Joe strummer, who was instrumental in the Fingers first footsteps on the punk scene.

The heat is turned up as early classics are played “wasted life” “tin soldiers” and the classic “suspect device ” one of my all time favourite punk records, play it at full blast and hear the anger in his voice, jake burns was well and  truly pissed off with his lot back in 1977, and that’s your lot! We missed the encores due to running for the last bus back to sheffield ( tight gits) but a cracking show none the less, this was no going through the motions, no nostalgia circuit performance, it still means a lot and the songs mean a hell of a lot to this band whether they are last century or this century the Fingers are still as important today as they were back in the days when they came full throttle at you courtesy of John Peel. 

SET LIST 

Breakout
Straw Dogs
Fade away
My dark places
Safe as houses
Nobody’s hero
At the edge
Barbed wire love
Guilty as sin
Roots, radical
Strummerville
We were young
Wasted life
Tin soldiers
Suspect Device
——————
Johnny was
Gotta getaway
Alternative ulster 

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PAUL WELLER DONCASTER DOME APRIL 2017

And now for something completely different  as the pythons would say!! Four days after seeing Moonlandingz at The Leadmill it was Paul Weller time,Sheffield was not included on This spring tour so it threw up a couple of possibilities for our choice of venue, last time around (2015) we picked York barbican and as it had been included again we thought somewhere different, Doncaster Dome was decided as our chosen venue, luckily we got seated tickets mainly due to my better half waiting for a date for an operation which had a recovery time of a couple of months, so the last thing she needed was being knocked about by some fat 50ish “mod” in a 20 quid Harrington jacket clutching his pint of fosters whilst posing for “selfies” and shouting out for jam songs.

Mixed crowd tonight, young and old, couples, father and sons, mothers and daughters, brothers and sisters (aunties and uncles,remember that one?) And I’m extremely happy to say a very low Comedy Mod turn out, whether there was a 2 tone tribute act on somewhere or the distinct lack of jam tunes played on the 2015 spring Saturns Pattern tour may have finally given the Austin powers brigade the message. Anyway a capacity crowd awaited the return of Mr Weller along with 2nd in command Steve Cradock, the massively talented Andy Crofts, moving from keyboards to bass guitar, Thomas Van Heel (just needs to play with rick for the full set of  ex jam members!) stepping into croftys keyboard duties, Steve pilgrim on drums along with the moons Ben gordelier on percussion completes the line up, the band charge out and launch straight into White Sky, long time and I’m where I should be, from 2015s  Saturns Pattern Album, Ghosts from The Gift album made a surprise appearance and a cracking version it was as well! Ever-changing moods was another surprise tune added in, the back catalogue is getting a hammering already and it came across well being played by a band who probably hadn’t been born when this song graced the top 5 last century, back to Saturns Pattern for the title song and paul switching to piano for the excellent single Going My Way, New song time! Woo See Mama from the forthcoming album was an absolute belter and if the rest of the album is as strong as this tune it’s going to be a ten from len. Then we are back in 1980 visiting the Sound Affects album for Man in the Cornershop, the lyrics as relevant in 2017 as they where in 1980, Suzies Room! From heavy soul is given a dust down followed by The Attic from Sonik  Kicks more dusting down of old tunes and we have the mighty,no gigantic Ever Had It Blue from TSC days, one of my favourite Council tunes ever, however it didn’t quite cut the mustard for me with it being minus the brass, Friday Street next and back to the debut solo album for Above the Clouds and then we are back rocking , rolling and loud for the debut single Into Tomorrow, is it really all that time ago? Still sounding loud and fresh after all these years.

Long Road and Cranes from the new album are next followed by the riff laden Peacock Suit from 97s Heavy Soul, Dr John’s bluesy Gilded Splinters a song I think weller has made his own is guttsy and dirty blues as anything that’s come out of New Orleans in 30 years, Come on, let’s go is blasted out and it’s over!!!

Not quite, returning to the stage, chairs are laid out and Steve pilgrim joins on acoustic guitar, wildwood starts and flows into Monday being given a excellent acoustic makeover, going into John Lennons Love and then into pauls recent film soundtrack song  “the ballad of Jimmy McCabe” my first time of hearing this song and I thought it was very good, Out Of The Sinking finished this 1st encore rather nicely, only moan I had was maybe half of the audience switched off during the acoustic songs which was quite a shame.

Second encore and we had impossible idea and City Streets, again from Saturns Pattern, a great song quite trippy as well, back to The Jam days and Start! Andy Crofts bass playing really stood out, that was something else I noticed, first time in years I’ve heard the bass turned up in the mix, could never hear Andy Lewis,minchellas or Marco nelsons bass lines at all, The night finished with Changingman, pretty apt as well, as Paul is always changing his direction and influences and coming up with fresh music all the time, Another cracking night!!

DETERGENTS,BEST OF 2016.

My usual bandcamp band hunt brought me to searching tags with “old punk ” and ” Sheffield” and luckily for me these sheffield  scallywags popped up begging to be played and bought! Brought to the world by the “kids of the Lughole ” label, the Lughole being a small practice/small gig room next to one of the dodgist Ale houses in Sheffield on a back Street in the city centre, General Public EP is 4 slices of pure punk, straight out of 1977, extremely loud, catchy Riffs, a short sharp statement of no frills no nonsense 100% punk rock.

Less than 6 minutes long this ep released in may 2016 on limited edition vinyl features the following 4 tracks

1.. General Public 

2..Catastrophe 

3..Interlude 

4..Under Threat

I think this may be there 3rd release, maybe the 2nd vinyl issue, I strongly recommend  giving the “No Salvation” single a listen to if you can get the vinyl format, otherwise there’s a free download via there bandcamp page. Here’s a band I will be keeping a beady eye on in 2017 and hopefully get to see them live, if your penchant is for old style punk this is the band to watch! 

DETERGENTS!!

DETERGENTS BANDCAMP 

WE ARE NOT DEVO! YOU’RE NOBODY IF YOU HAVEN’T GOT A TRIBUTE BAND! !!

  • Very very much the proverbial bone of contention the subject of tribute bands, there must be thousands upon thousands just in great Britain alone, the world over must be millions, you either love or hate them,I’m guessing Elvis Presley is the most popular, fat elvises, thin elvises, Japanese, Pakistani,  Jamaican,  mini elvises, or are they impersonators? ??? Is it a fine line between tribute and impersonator? The Bootleg Beatles doing massive tours celebrating 30 Years of being the Beatles for 2 hours a night! Certainly a job for life, that’s 4 times longer then the Beatles career. A few years back i read a great interview with bruces foxton, when asked why he started to tour as “From the jam ” his answer was simple  “I’m playing new stuff to 50 people a night, whilst down the road the jam tribute band THE JAMM are playing to 800  people at a tenner  a go” so it’s a no brainer for bruce. So that brings us to Are We Not Devo, I’ve been told they are one of only two devo Tribute bands in the universe,  for those not aware of devo they formed in the mid 70s in akron ohio USA, gradually becoming part of the punk /new wave scene of the late 70s early 80s, crafting a sound totally unique and also creating a great stage show and great imaginary to go along with each and every release.
  • I was lucky enough to see Devo back in 1980 or 81, I’m not sure which year it was, I will have to do a quick “Google it” here’s my ticket from said concert above, as per usual my rather poor memory just about recalls the end of the gig as we were pitched into total darkness and a  giant babies head appeared on the equally  huge backdrop speaking rather slowly and quite scarily as well, the booji boy! A Couple of months back i was having a quick skim through twitter or Facebook and came across a few photos from the yellow arch studios of a band looking a bit like devo,  further reading and it looked like a collective thumbs up from the  masses who had sung along, danced along,cheered for more and had a spiffing good night of rock and roll, searching a bit more on Twitter I found there page and they where “tweeting ” another gig at the greystones,tickets online or the old school way of passing a hard earned crumpled tenner over the counter and receiving a nice real proper printed ticket without a booking fee via cafe#9 in nether edge thank you Mr SG oh and nice cafe by the way.
  • It’s a great little venue is The Backroom at The Greystones, bit of a trek from the city centre but well worth the effort, a packed room greets the band as they bounce onstage and take up the classic devo pose,legs wide everyone stands straight and looks towards the audience and they launch into a set of devo classics sounding incredibly like the original, but putting there own Mark on a lot of these classic songs, from (my poor)memory we had   Gut Feeling,Come Back Jonee,Sloppy,Uncontrollable Urge,(I Can’t Get No) Satisfaction, Praying Hands,Mongoloid,Jocko Homo.Of course we had Whip it, and very good it was to! Energy domes bouncing around on stage and off stage all adding to a great atmosphere, here we had a band playing all these songs with great enthusiasm and clearly with a love of the akron legends , you did them proud! ! Encores and It all ended to soon, domes drained of energy that’s yer lot! This was a great night and I’m sure we will be back for the next appearance, I throughly recommend you see them, forget all the other tribute bands these are the ones!

      THE PUSH,MY FIRST GIG 1978

      First gig I ever went to was The Push playing in the drama Hall at school . It was Organised By ex English teacher and the current school youth club leader and all round Top Bloke Howard Holmes, The Push, where a 5 piece new wave/punk band who where probably more Pub Rock then PUNK Rock with shades of Nick Lowe, Graham Parker and The 101ers Rather then Punk Rock premier league outfits like the Clash, Pistols and The Damned. My school at the time had a great drama Hall with rather a large stage and having hosted various plays and assembly’s was now playing hosts to snarling spitting punk rockers with the menacing threat of violence, chaos and destruction imminent.
      Posters where put up around the school and my new punk buddies just couldn’t wait, it was to be our first gig ,we knew nothing about this band at all as our musical knowledge didn’t extend as yet to the local scene.
      The night came and we paid our 50p entrance at the door and made our way in, there was a few older kids in from school and some 6th formers, plus a few older punks and various waifs and strays and some local lowedges teddy boys which we found rather strange! Now I’m not sure if there was a support band on, some say there was, some say there wasnt, but The Push bounced onstage and yes! I’m at the front having it in large portions, I’m bouncing around and giving it everything, then the music stopped, Ray Ashcroft the singer (the soon to be famous actor ) has stopped singing and has spotted the Teds in the audience and has launched into a rather heated exchange of words, “get these fuckers out” as he launched himself at them, the Teds had a go back and we where treated to handbags, threats of “see you outside” and opinions regarding each others musical tastes “your bands shite”and “fuck off elvis”
      Order soon resumes and we are treated to soon to be “classics” such as  ‘Can’t Stop Maureen’ the obligatory attempt at reggae with ‘Front-Room Revolution’ ‘gloria’ which I think every band covered back then and finishing with the soon to be released single ‘Cambridge Stomp’ pop pickers and on to world domination, or not!
      Off course this was 1978 and here we are 38 years later in 2016 and my copy of said single is worth £8 according to eBay or discogs, it’s the memory off my first gig that will stop with me as long as my memory holds out.
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      So what happened to The Push I hear you ask? Main man and leader Ray Ashcroft quit the band after a tour supporting XTC when he got to play the part of Ringo Starr in “The Birth of the Beatles” Film and he went on appear in The Bill, Emmerdale and Coronation Street, Rock and Rolls loss and TVs Gain!!!!
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      MY FIRST RECORDS

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      The first records I bought where in the spring and summer of 1977, David Bowie’s sound and vision single and Emerson Lake and Palmer’s Fanfare For The Common Man,  slowly I got hooked on the new punk sounds that where now appearing on our TVs,  Radio’s and the nations press,I started discovering radio and although it was limited as to what was being played I slowly became a follower of radio one’s Saturday rock show and later I discovered a life changing late night show and in glorious stereo,namely the John Peel Show,(more to follow)
      The Saturday rock show was as its title suggests a rock show, however slowly but surely punk and new wave records slowly starting appearing, here I heard The Clash for the first time,with  White Riot in BBC session mode getting a serious playing, XTC and the stranglers also  seemed popular, A record that really stuck out for me that was played a lot was Dr Feelgoods Roxette, great big bass guitar, wilkos scratchy rhythm guitar riffs and blasting harmonica, this record had everything.
      Over the coming months I bought singles and albums, dinner money saved all week and off to town on Saturday to buy records, up until this time I was all football, all my school mates where the same,anything else was not entertained, slowly I saw less and less of my mates as I spent more time listening to records and reading the music papers about all these great new bands and great music, at times I thought I was the only person in school who liked punk music, of course there was the  rockers with there denim jackets covered in led Zeppelin and status quo patches but not for me was any of that!

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      The First ever album I bought was  The Jam This Is The Modern World, Quickly followed by The Ramones Rocket to Russia, followed by  Ian Dury New Boots And Panties, then I got a bit Daring and went all pub
      and bought Graham Parker And The Rumour Stick To Me, Various singles as well, The Jam The Modern World, The Stranglers Peaches, Sex Pistols, Pretty Vacant, I then back tracked and bought all the first punk singles such as the Damned New Rose, The Clash White Riot, Complete Control,Generation X My Generation, Grip by the stranglers, early  Elvis Costello singles such as Alison, Less then Zero and Watching the detectives, I discovered The Buzzcocks,  and The Saints purely by flicking through every single in the punk section in virgin records, there just seemed to be great records coming out every week, and as a 13 year I had limited money!  I was steadily building up a nice record collection and adding all the time to  it, somehow I discovered that Debenhams had a music section and would have boxes full of ex chart singles and  records that hadnt sold all at really low prices, over the next few months I regularly plundered this goldmine of vinyl with great success.
      The life changing event from this period of my life happened as most things do, purely by accident, Christmas 1977 and I’m up late and as far as I can remember I was flicking through the channel’s on the music centre and I came upon The Lurkers Shadow, clear as a bell in glorious FM Stereo, wondering what it was I sat and listened until the record ended and the voice of the DJ appeared singing the praises of the record and then introducing another punk record in some kind of top 50 that I was certain had never appeared on Top Of The Pops! What I had found was the John Peel Show and his festive 50, I stuck a Tape in pressed record and for the next 10 years or so I was hooked, over the next 2/3 days I wished the fingers on the clock around to 10.o’clock and armed with cassette tapes I recorded just about every record peely played.
      To Be Continued!!!!

      THE STRANGLERS 02 ACADEMY SHEFFIELD

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      The Stranglers annual visit to the 02, this time they are back and revisiting the classic Black and White album playing it  in its entirety,the Stranglers have been regular visitors to sheffield since 1977, probably playing this venue more then any other band over the last 40 years.

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      With the speakers and keyboards and drums all decked out in white the band bounced on and launched into “Tank” JJ  prowling the stage laughing and smiling, whilst baz stage left playing guitar like his life depended on and the ever reliable dave greenfield showing no signs of slowing down delivering  highly  addictive synthesiser beats and powerhouse drumming from new drummer jim macaulay keeping the beat moving along making the band a lot more tighter,clearly after all these years the two remaining original members are still clearly enjoying it.

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      Crystal clear tight and loud the band got it right treating old and hopefully new fans to a great performance of this classic  album, not much chat, but song after song, JJs  rumbling filthy bass always at the forefront, more favourites followed and for me the highlight being ” walk on by”  a song I think the Stranglers have really made there own, greenfields keyboards and JJs bass solos playing a huge part in this extended version, could be called  self indulgent but not these lads! We then had ” nuclear device” “grip” “always the sun” “London  lady ” we where even treated to ” I feel like a wog” from the No More Heroes  album, one criticism I have is a huge portion of the crowd switched  off when  Norfolk Coast was played, we also had “relentless” thrown in to the mix, obviously these people where only there for the old “Cornwell years” material, Norfolk Coast is a cracking record and is up there with the best.
      Two hours of classics and an encore of “Go Buddy Go” after 40 years this song sounded as fresh as it did back then, from the opening “Boogie ” shout to the rock and roll organ riff, the scratchy rhythm guitar, drumming like an express train, A worthy finish with a song that is always far superior played live, a truly great night with a band that can still play like they mean it!!